Showing posts with label comics. Show all posts
Showing posts with label comics. Show all posts

Monday, October 27, 2014

The Infected Review

A Review of The Infected from Hound Comics


After doing the review on Salvagers, I was lucky enough to obtain a copy of another Hound Comic, The Infected.  I had issues buying the Salvagers comic from Houndcomics.com and ended up purchasing it on Amazon, but Houndcomics.com has restored its online store.  So if you like my review and want to check out The Infected or other titles from Hound, Hound has their store up again and most of their titles on Amazon.

Of course the first thing that sticks out when looking at any comic book is the cover.  At first glance I saw this cover done by Dave Mims and thought to myself that it looked fairly simple to draw, but nothing could further from the truth.  There are sharp lines defining the facial features and bodies of the three main characters and the three monsters type things that make up the cover.  As I read on I realized how intricate the drawings really are.  The art makes me think of something you would see as a doodle but as I examined them I started to see how the seemingly unnecessary lines actually add to the feel and are almost essential to the makeup of the art.  In some cases the lines are hard and thick, in others loose and passive.  Overall the art is pretty fantastic and outside of the conventional norm of most comics.  I think that is the reason it threw me off a little.  Even though the style caught me off guard at first, I found myself liking it more and more as I read on.

COVER1

One of my pet peeves with comics is the huge world that just is, with no real explanation of how it came about, but the writer Chris Hartmann addressed that immediately with the first page being six dialog boxes explaining the world he is setting up.  Hartmann explains that in May of 2020 an infection spread through a place called Tower City causing the super human population to turn to flesh eating monsters.  With only two dialog boxes, Hartmann was able to pull me into the story.  I commend the idea because nowadays it’s really hard to spin a super hero or super powered story without treading in someone else’s territory.

After Hartmann explains how the normal humans have quarantined the city he picks things up with a "28 Days Later" type scenario.  The main character wakes up to a barren and ravished world around him.  During his aimless walking, trying to compute what was going on, he finally stumbled into a road where he is spotted by three soldiers in a Humvee.  Clearly the sight of other living things got the guy excited, but the excitement was short, they decided he was a threat and started to shoot.  The soldiers chase him down an alley and get ready to finish him when he is saved by a big burley looking guy.  As I look at the panel of the man that saved the main character I realize that he will be the no nonsense muscles of the story as he stands holding a smoking cigar and his pistol.

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As the two characters evaluate each other the big guy explains the situation to the main character as he turns to leave.  The main character reveals his name is Jacob while he tags along with his big guy and gets the full history of the downfall of the city.  The two guys end up making their way through a building into a safe house and pass through dead bodies that make Jacob throw up.  I like the way Hartmann paints the picture of the world and sets up the two main characters dynamic together.

As the two guys make it to a jail cell, the only safe place to sleep, the big guy hands Jacob a gun and explains how to kill them.  Aim for the heart and the head!  Of course, the head and the heart, where else is there to aim when taking down a bad guy or monster.  At this point in the story I was a bit curious about the supers and how their powers work as they’re infected.  Mr. Hartmann must have known what I was thinking because the big guy explains to Jacob that they lose their powers after infection so all he has to do is stay away from them and shoot straight to stay alive.

Mr. Mims art draws me into the story with the way he lays out the chill scene as they lie down for the night and continue to talk.  Jacob sits with his hands behind his head relaxing while the big guy smokes with his eyes closed.  I like this page because I can feel the characters need to relax and process the events, especially Jacob, but also the fact that it sets up the stage for the big guy to open up.  As they lie there the big guy reveals that his name is John Winters and people call him Freedom.  Jacob asks why he didn’t run and wondered if he was a super but he explains that he isn’t a super and he isn’t the type to run.  In this page I get a good feel for Freedom and what he is all about, the hardest guy in the room but he still has a heart and cares about people.

Jacob snaps awake and asks Freedom if he heard what he heard.  At this point Jacob already heard something earlier but now the voice or noise got to him enough to get him paranoid.  Jacob hears more noises and rouses Freedom to his feet to go check it out.  The final panel on the page is a head-on of the two men holding their guns up and walking towards the noises that Jacob heard.  I really love the panel and the way Mims sets up the two men.  I feel like Freedom has always been solid and BA standing tall and mean mugging while he smokes, but what I like the most is the transformation of Jacob as a gets harder and harder alongside Freedom.

Jacob was right, he did hear something.  He heard a girl named Chloe.  They turned a corner to see her standing there.  Jacob recognizes her immediately and she recognizes him as well.  No sooner than Jacob and Chloe recognize each other a huge monster turns up behind the two guys.  The huge monster picks Freedom up and tosses him across the room knocking him out.  Jacob and Chloe get backed into a corner where Jacob tries his best to shield her from the monster.  At this point Jacob is hearing voices still and their calling to him and he feels like they want to help them.  As they stand in the corner waiting for the giant monster to attack another monster comes to their rescue, but from the looks of the panels it’s possible that Jacob is controlling the monster because as the monster reaches through the belly of the bigger monster Jacob is reaching out towards it as if they were going to high five.  The strain of whatever was happening knocks Jacob out, but Freedom wakes up in time to get rid of the remaining monster.

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Hartmann and Mims leave us with Freedom telling Chloe to get him up because they can’t stick around and wait for more monsters.  Freedom says, “And I don’t feel like dying tonight.”  Pretty epic send off.

The feel of the book and the flow seems right to me and Mr. Hartmann does a great job of setting up the characters.  Jacob grabs me right away with the "28 Days Later" scene of waking up to chaos and death all around.  Freedom is compelling because any story is best served with a really hardcore guy leading the charge against the enemy or threat.  I like how Chloe is introduced towards the end and the way  Hartmann sets up Jacob hearing voices, I feel like it leaves plenty to look forward to for the next issue.  Hartmann and Mims have a good concept and story that they collaborate well in telling.  I will certainly be checking out the next issue.  If you liked the review I suggest you check it out as well!

Here are a few links for your purchasing pleasures, Get it straight from Hound Comics or on Amazon.

Happy reading everyone!

Wednesday, October 1, 2014

Gotham: Selina Kyle

With the episode named Selina Kyle, we assumed that we would be getting a catwoman back story. Julie Newmar was a great catwoman in the 1960's television series Batman however the new actress Camren Bicondova transforms an edgy troubled young girl from the streets into the feline villain us Batman fans enjoy.

Gotham: Selina Kyle - episode 2

Ten minutes watching this episode was more pleasant than the first episode pilot, however I am now just looking at the pilot as a good plot/character introduction. Opening into the dark and rainy streets of Gotham we see Selina Kyle who refers to herself as "Cat". With Cat and her street friends around a burning barrel of trash, a bus pulls up with our villains named Patti and Doug. They call themselves "Gotham Homeless Street Shelter." After feeding the kids with lies on what they can offer the children, Patti then starts stabbing the kids with a pen laced with a knock out drug called ATP. Selina making the escape, the rest of the kids get captured.

Cutting to Wayne manor, we see young Bruce Wayne sitting by a candle flame slowly putting his hand on top of the candle causing his hand to burn. Alfred then walks in and sees what Bruce is doing and gets highly frustrated. What I mean by that is he yelled at Bruce then brought it in for a hug, tough love from Alfred. Later in the episode we see Bruce drawing a dark picture, listening to heavy metal and finding out that he has been cutting himself. Later in the episode he explains to Gordon that he is training himself. Confused by this I just assumed he is already trying to find a way to seek justice and find revenge for his parents murder. Falcone and Mooney are still in the battle for Gotham, in this episode Falcone sends a face to face message to Mooney by having his men rough up one of Mooney's boy toys. This scene was excellent in the fact that Falcone is not messing around nor is he the type to be messed with.

Alfred - Gotham: Selina Kyle - episode 2

Gordon and Harvey are still playing their good cop bad cop show, trying to crack the case of the street kid snatchers. With Doug and Patti hijacking a bus that was suppose to transport the street kids to juvenile hall, the two mention that their leader "Doll Maker" will be pleased with their accomplishment. This makes me wonder if we will see the villain Doll Maker in the TV show? This villain was a very dark and disturbed character that used the skin and limbs from his victims to make dolls. Speaking of dark and disturbed, Oswald (Penguin)  has made a friend by capturing him, killing his friend with a beer bottle, taking him hostage and calling his mom for a bounty. Also, we do get to see Oswald's mother who is just as creepy as he is.

Gotham is still doing a great job in planting hidden facts about the character's back stories. For example Selina Kyle tells another foster kid the best way to take down a prey is to scratch out their eyes (seems like something a crazy cat would do). I am so relieved that the show is picking up in dialogue and cinematography, maybe someone over at DC or Fox read my post? Please let me know your thoughts on the show or your opinion on where the show might be going.

Dollmaker - Gotham: Selina Kyle - episode 2


 

Thursday, September 11, 2014

Spider-Verse, Here I Come!!!

Send me straight to the Spider-Verse, no stops along the way!!!


The Edge of Spidethe Magnificent Mysterior-Verse event has officially begun and I couldn't be more thrilled. With the return of Spider-Man Noir in issue one, Marvel has set us up for a heck of a ride through "every Spider-Man ever." While I can't say this was the alternate Spidey I was looking forward to the most, I thought issue one was a lot of fun. The alternate version of Mysterio was clever and worked as a good one-off antagonist.

I've personally been pretty bored with the big events going on in both the DC (*cough* Future's End *cough*) and Marvel universes, but I really want to believe this one will be good. Personally I am a sucker for alternate universes and timelines, so maybe I should just reserve my judgement for another month or so... With that being said, let's talk more about Edge of Spider-Verse #1.

The best thing about this issue (and hopefully the whole event) is that it's basically a series of one-offs. While, yes, it's planned to lead into something with a slightly more continuity, you don't have to care about that right now. The story opens and throws us right back into the world of Spider-Man Noir. Without touching on spoiler territory, some time has passed and Spider-man hasn't been seen in sometime. While there is a good bit of exposure that feels slightly slow to develop at first, once the main plot kicks in, everything moves real fast.

I won't talk plot anymore because this book is just too quick to get into it without spoiling things. What I can talk about is what I feel this book did right. Within just 24 pages, you get to see plenty of noir versions of your favorite Spidey characters. The elements of this story run their course very quickly and lead into the bigger plot of Edge of Spider-Verse without missing a beat.

The art of Richard Isanove is crisp and believable and sucks you into the past. And then immediately leads you into the far future. If you've kept up with the latest unexpected issue of Superior Spider-Man, then you already know what's going on here. If not, I urge you to jump on board before you miss another installment of this extra-dimensional spider-tale.

I, for one, can't wait to see Gwen Stacy and Spider-Woman in #2!

Gwen Stacy in Edge of Spider-Verse #2